Bowers and wilkins DM602 S3 feat. Marantz SR6004 YouTube
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Bowers And Wilkins Dm602 S3. Bowers and wilkins DM602 S3 Photo 4465851 Canuck Audio Mart The DM602 S3 features gold-plated double terminals allowing bi-wired connections to be employed This is an excellent sounding set of speakers and will do any tune justice
Bowers and Wilkins DM602 S3 Speakers Photo 4552194 Canuck Audio Mart from www.canuckaudiomart.com
The B&W stereo speakers offer a frequency range of 40 Hz to 42 Hz, making them well suited for DVD-audio and SACD. The advantages of using a more generous driver and cabinet arrangement also show through in the sensitivity ratings, with the 602 S3 achieving 90dB/W/m - a whole 3dB better than the current design.
Bowers and Wilkins DM602 S3 Speakers Photo 4552194 Canuck Audio Mart
B&W DM602 review Features By Joe Cox published 30 April 2014 In the first of a regular series, we take a look back at the birth of a legend, the B&W DM602 speakers from January 1996, and analyse their influence on the new 685 S2s Specs can be seen in last photo.Serial #'s 0129493, 0129494**14-Day. The crossover frequency of these speakers is a little higher than usual, at 4kHz, which has the advantage of leaving the majority of the vulnerable vocal range handled by the bass/mid-range driver rather than being split in the middle.
Bowers & Wilkins DM602 S3 Loudspeakers, Matching Stands, Technics SU. These Bowers & Wilkins DM602 S3 speakers are in great overall shape showing very little wear from use and handling DM602 S3 Although similar in concept to the DM601 S3, the DM602 S3 enjoys the benefits of a larger cabinet and a 180mm woven Kevlar® cone bass / midrange driver to give a more extended bass response and higher output capability.
Bowers & Wilkins DM602 S3. The LCR60 S3 centre speaker would normally be used to partner the DM602 S3 in home theatre systems, but larger rooms may benefit from the extra output capability of the LCR600 S3. The crossover frequency of these speakers is a little higher than usual, at 4kHz, which has the advantage of leaving the majority of the vulnerable vocal range handled by the bass/mid-range driver rather than being split in the middle.